Turn The Other Cheek? Think Again!

‘A Commencement Address’ By Joseph Brodsky

Ladies and gentlemen of the class of 1984:

“No matter how daring or cautious you may choose to be, in the course of your life you are bound to come into direct physical contact with what’s known as Evil. I mean here not a property of the gothic novel but, to say the least, a palpable social reality that you in no way can control. No amount of good nature or cunning calculations will prevent this encounter”

“The purpose of my talk is simply to suggest to you a mode of resistance which may come in handy to you one day; a mode that may help you to emerge from the encounter with Evil perhaps less soiled if not necessarily more triumphant than your precursors. What I have in mind, of course, is the famous business of turning the other cheek.”

“There are other, graver reasons to be suspicious. If the first blow hasn’t knocked all the wits out of the victim’s head, he may realize that turning the other cheek amounts to manipulation of the offender’s sense of guilt, not to speak of his karma. The moral victory itself may not be so moral after all, not only because suffering often has a narcissistic aspect to it, but also because it renders the victim superior, that is, better than his enemy”

At best, therefore, what one can get from turning the other cheek to one’s enemy is the satisfaction of alerting the latter to the futility of his action. “Look,” the other cheek says, “what you are hitting is just flesh. It’s not me. You can’t crush my soul.” The trouble, of course, with this kind of attitude is that the enemy may just accept the challenge.

Twenty years ago the following scene took place in one of the numerous prison yards of northern Russia. At seven o’clock in the morning the door of a cell was flung open and on its threshold stood a prison guard who addressed its inmates: “Citizens! The collective of this prison’s guards challenges you, the inmates, to socialist competition in cutting the lumber amassed in our yard.” In those parts there is no central heating, and the local police, in a manner of speaking, tax all the nearby lumber companies for one tenth of their produce. By the time I am describing, the prison yard looked like a veritable lumber yard: the piles were two to three stories high, dwarfing the one storied quadrangle of the prison itself. The need for cutting was evident, although socialist competitions of this sort had happened before. “And what if I refuse to take part in this?” inquired one of the inmates. “Well, in that case no meals for you,” replied the guard. Click link for full article;

http://www.nybooks.com/articles/archives/1984/aug/16/a-commencement-address/

Posted By F. Sheikh

Glossary of the Fundamentals of “Force”

Glossary of the Fundamentals of “Force”

Gravity the macroscopic dominant attractive force, equation:                         , permeated by theoretical gravitons (G), created by the presence of quarks (u, d, c, s, t, b),  gluons (g1…6 ), and the Higgs field (H0).

Electromagnetism the force at least 1015 x as effective as gravity, equations: , , , , permeated by photons ( ), created by the existence of electrons (e), muons ( ), taus ( ), and their neutrino counterparts.

Weak nuclear force transformation of a down quark (d) to an up quark (u), an electron/positron (e­­±), and a neutrino (ν).

Strong nuclear force the strongest force, equation: , permeated by gluons (g1…6 ), created by the existence of quarks (u, d, c, s, t, b).

Roumaan Ahmad Kidwai

426 Bailey Road

Paramus NJ 07652

5/17/2013

 

Everybody Hurts – Sachal Studios’ Orchestra & the Master Musicians

A beautiful music by Sachal Studio, Lahore, Pakistan.”Everybody Hurts” is a part of a new forthcoming album ‘JAZZ AND ALL THAT’ from the Sachal Studios, Lahore with an international collaboration due for release in the Summer of 2013. The studios’ first album ‘Sachal Jazz’ is still going strong. Full details on: www.sachal-music.com Click link below to listen!

http://www.youtube.com/watch?feature=player_embedded&v=Ck3I3zBw9uU

Posted by F. Sheikh