“How the Movie ‘Civil War’ Echoes Real Political Anxieties” By Lisa Lerer

“Civil War” has tapped into a dark set of national angst. In polls and in interviews, a segment of voters say they fear the country’s divides may lead to actual, not just rhetorical, battles.

One subject seems to be unifying the right and the left today: Disunion.

From the multiplex to social media, the prospect of America collapsing into armed conflict has moved from being an idea on the tinfoil-hat fringes to an active undercurrent of the country’s political conversation.

Voters at campaign events bring up their worries that political division could lead to large-scale political violence. Pollsters regularly ask about the idea in opinion surveys. A cottage industry has arisen for speculative fiction, serious assessments and forums about whether the country could be on the verge of a modern-day version of the bloodiest war in American history.

And “Civil War,” a dystopian action film about an alternative America plunged into a bloody domestic conflict, has topped box office sales for two consecutive weekends. The movie has outperformed expectations at theaters from Brownsville, Texas, to Boston, tapping into a dark set of national anxieties that took hold after the Jan. 6, 2021, storming of the Capitol.

But Barbara F. Walter, a political scientist at the University of California, San Diego, who studies civil wars, says the prospect of such a conflict isn’t just metaphorical. She believes the country is facing a decade or two of political instability and violence that could include assassinations of politicians or judges and the rise of militia groups.

The movie’s realistic portrayal of such violence taking place in deeply American settings — a golf course, a roadside gas station, the Lincoln Memorial — put the scenes of violence Americans associate more with foreign conflicts into sharper relief, she said.

David W. Blight, a historian at Yale University who specializes in the Civil War period, said he did not believe the country stood on the precipice of another one. But if the country were to reach that point, he said, the conflict could share more with the movie version than the historical one.

“For the last couple of years, there’s been all this chatter and a few books out about whether the U.S. is on the brink of a new civil war, and you have to keep telling people, ‘Well no, not in the way you may think about it,’” he said. “Our real Civil War blinds us in that sense.”

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” American Evangelical Christins-Fundamentalism, Evangelicalism and Pentecostalism” By David French

( Great article to understand American Christians and which Christian group is strong supporter of Trump)

In reality, American evangelicalism is best understood as a combination of three religious traditions: fundamentalism, evangelicalism and Pentecostalism. These different traditions have different beliefs, different cultures and different effects on our nation.

The difference between fundamentalism and neo-evangelicalism can be summed up in two men, Bob Jones and Billy Graham. In a 2011 piece about the relationship between Jones and Graham, the Gospel Coalition’s Justin Taylor called them the “exemplars of fundamentalism and neo-evangelicalism.” Jones was the founder of the university that bears his name in Greenville, S.C., one of the most influential fundamentalist colleges in America.

Bob Jones University barred Black students from attending until 1971, then banned interracial dating until 2000. The racism that plagued Southern American fundamentalism is a key reason for the segregation of American religious life. It’s also one reason the historically Black Protestant church is distinct from the evangelical tradition, despite its similar views of the authority of Scripture.

Graham attended Bob Jones University for a semester, but soon left and took a different path. He went on to become known as “America’s pastor,” the man who ministered to presidents of both parties and led gigantic evangelistic crusades in stadiums across the nation and the world. While Jones segregated his school, Graham removed the red segregation rope dividing white and Black attendees at his crusades in the South — before Brown v. Board of Education — and shared a stage with Martin Luther King Jr. at Madison Square Garden in 1957.

But since that keen Jones/Graham divide, the lines between evangelicalism and fundamentalism have blurred. Now the two camps often go to the same churches, attend the same colleges, listen to the same Christian musicians and read the same books. To compound the confusion, they’re both quite likely to call themselves evangelical. While the theological differences between fundamentalists and evangelicals can be difficult to describe, the temperamental differences are not.

Roughly speaking, fundamentalists are intolerant of dissent. Evangelicals are much more accepting of theological differences. Fundamentalists place a greater emphasis on confrontation and domination. Evangelicals are more interested in pluralism and persuasion. Fundamentalists focus more on God’s law. Evangelicals tend to emphasize God’s grace. While many evangelicals are certainly enthusiastic Trump supporters, they are more likely to be reluctant (and even embarrassed) Trump voters, or Never Trumpers, or Democrats. Fundamentalists tend to march much more in lock step with the MAGA movement. Donald Trump’s combative psychology in many ways merges with their own.

The Pentecostal movement began a little over 100 years ago, during the Azusa Street revival in Los Angeles in 1906. The movement was started by a Black pastor named William Seymour, and it is far more supernatural in its focus than, say, the Southern Baptist or Presbyterian church down the street.

At its heart, Pentecostalism believes that all of the gifts and miracles you read about in the Bible can and do happen today. That means prophecy, speaking in tongues and gifts of healing. Pentecostalism is more working class than the rest of the evangelical world, and Pentecostal churches are often more diverse — far more diverse — than older American denominations. Hispanics in particular have embraced the Pentecostal faith, both in the United States and in Latin America, and Pentecostalism has exploded in the global south.

That long experience has taught me that the future of our nation isn’t just decided in the halls of secular power; it’s also decided in the pulpits and sanctuaries of American churches. Aleksandr Solzhenitsyn wrote that the line between good and evil “cuts through the heart of every human being.” That same line also cuts through the heart of the church.

One Comment by a reader of NYT

Michael Piscopiello

Well, as an atheist focused on the secular world of reality, the differentiation between these religions, as for that matter all religions is meaningless. Religions are a us vs them institutions. Not happy with a particular brand of religion go and create one that serves your purpose. This is what has happened throughout history. Once your remove the mystique of the supernatural, religions are like any other top down organization.

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” Harvard’s Course on Singer Taylor Swift” By Madison Kircher

Fans of Taylor Swift often study up for a new album, revisiting the singer’s older works to prepare to analyze lyrics and song titles for secret messages and meanings.

“The Tortured Poets Department” is getting much the same treatment, and perhaps no group of listeners was better prepared than the students at Harvard University currently studying Ms. Swift’s works in an English class devoted entirely to the artist. The undergraduate course, “Taylor Swift and Her World,” is taught by Stephanie Burt, who has her students comparing Ms. Swift’s songs to works by poets and writers including Willa Cather, Samuel Taylor Coleridge and William Wordsworth.

On Thursday night, about 50 students from the class gathered in a lecture hall on campus to listen to Ms. Swift’s new album. Mary Pankowski, a 22-year-old senior studying history of art and architecture, wore a cream sweatshirt she bought at Ms. Swift’s Eras tour last year. The group made beaded friendship bracelets to celebrate the new album, she said.

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Iqbal – a poet and a philosopher

God has treasuries beneath the Throne,

The keys to which are the tongues of poets.

(Hadith of Prophet Muhammad)

IQBAL’S PHILOSOPHY OF CREATIVE EVOLUTION

During the twentieth century, a famous poet-philosopher of east, Dr. Muhammad Iqbal (1873-1938) in his epic Payam-i- Mashriq delineated human being’s quest to understand the universe from the heavens to the core of human heart. Iqbal a national poet of Pakistan—following his mentor Jalaluddin Rumi and inspired by the Hadith of Prophet Muhammad (Peace be upon him) that God has treasuries beneath the Throne, the keys to which are the tongues of poets triggered by the flight of his thought, reached there and probed using the key to his poesy-tongue what is hidden far beyond the power of crazy Ishq. As his imagination reached there whatever Iqbal envisioned, he expressed in his Farsi (Persian) tongue:

نعرہ زد عشق کہ خونی جگرے پیدا شد

Love exclaimed that one with a bruised heart has appeared!

حسن لرزید کہ صاحب نظرے پیدا شد

Beauty shockingly trembled that one with vision has born.

فطرت آشفت کہ از خاک جہان مجبور

Nature perturbed as from the dust of predetermined world

خودگرے خود شکنے خود نگرے پیدا شد

A self-preserver, a self-breaker, and a self-observer has marked his existence

(Payam-e-Mashriq—Message of the East)

But in response to the poet of Paradise Lost, John Milton’s notion of “reason has equaled, force has made Supreme,” Iqbal set his view of human power in the “wedding of love and intellect.” Iqbal in his epic Payam-i- Mashriq (Message of the East) exhorts: “Man born of passive clay but a center of creative and dynamic energy, gifted with the powers of love, action, and intelligence, and stirs the void of Universe to reconstruct it nearer to his heart’s desire.” Understanding the vastness of the terrestrial realm and man’s greatness Iqbal expresses:

ز انجم تا بہ انجم صد جہاں بود

خرد  ہر جا  کہ پرزد  آسماں بود     

و لیکن چوں بخود   نگریستم  من

  کران ِ بیکراں در من نہاں بود 

There were hundreds of universes from star to star

Wherever the intellect flies, it would find new universes!

But as I looked deep down into my own self

A boundless ocean of creativity was hidden within me.

Iqbal further arguing about naturally embedded power of creativity in man, depicting in Payam-i- Mashriq proclaims; “Words spread all around from heavens to the realm of Eternity warning “Beware, O’ veiled elements, the tearer of veils is born!” According to Iqbal due to the power of creativity man has been able to transcend his limitation, to conquer the space and time, just as his favorite teacher philosopher Bergson has pointed out, “man has developed motor mechanism, perfected marvelous instrument of language and evolved a rich social life which has enormously increased his powers of activity” which Iqbal present symbolically as:

سوۓ آسماں رہگذر ساختیم          ز طیارہ ما بال و پر ساختیم       

With the aero plane we made our wings

We wedded our way to the skies.

Thus, according to Iqbal in man’s process of active reconstruction, he has become a co-worker with Divinity, justifying the proclamation of God that He has created man in His own image. Iqbal believes man has taken the initiative of consciously bringing about far-reaching changes in the natural as well as the social and moral world around him. He presents man equipped with the power of creativity, has not only evolved his own being, but also has brought about a new order, a new beauty of life, and has made improvement wherever he found a missing point or a gap in God’s created world, even in the sphere of man’s own life.

تو شب آفریدی چراغ آفریدم        سفال آفریدی ایاغ آفریدم

بیابان وکہسار و راغ آفریدی       خیابان و گلزار و باغ آفریدم

من آنم کہ از سنگ آئینہ سازم       من آنم کہ از زہر نوشینہ سازم

You created the night, I created the lamp

You created the clay; I created the vase!

You created the forest, mountains and deserts.

I created flower beds, orchards and gardens!

I am the one who made mirror out of stone,

I am the one who extracted elixir out of poison.

Iqbal has all the time remained dissatisfied with the imperfect world he found around him. However, realizing that the imperfection and incomplete things in this world are challenges left by God for man to make best use of his latent creativity. But Iqbal at the same time feels irritated and complains to his Creator:

صد جہاں می روید از کشت ِ خیال ِ ما چو گل          یک جہاں و آں ہم از خون ِ تمنا ساختی

طرح ِ نو  افگن کہ ما جدت پسند افتادہ   ایم           ایں چہ حیرت خانۂ امروز و فردا ساختی

Hundreds of worlds spring out of the field of my imagination like flowers,

You created but one world and that also steeped in the blood of desire!

Bring new patterns into being for we by our nature crave for novelty!

What is this labyrinth of today and tomorrow that you have created?

With all this philosophy of creative evolution, Iqbal projects his vision of man’s restless and inquisitive nature who is engrossed in ceaseless quest after fresh scopes for self-expression. For Iqbal, man as a possessor of a free personality is superior to all other created beings capable of shaping his own destiny and that of the Universe around him—sometime adjusting himself to it, sometime by pressing its forces into the service of his increasing needs or desires.

MIRZA IQBAL ASHRAF

April 21, 2024.